Things I've Been Silent About by 
The Diary of a Young Girl by 
The Morning They Came for Us by 
Coming Age in Samoa by 
The Reader's Companion to U. S. Women's History by 
Working Women, Literary Ladies by 
From Out of the Shadows by 
Making a Way Out of No Way by 
Bury My Heart in a Free Land by 
Jane Crow by 
Incidents in the Life of a Slave Girl by 
Cracked but Not Shattered by 
Women Pioneers for the Environment by 
Every Tongue Got to Confess by 
Labor of Love, Labor of Sorrow: Black Women, Work, and the Family, from Slavery to the Present by 
The Radium Girls by 
Where We Stand by 
Black on Both Sides by 
Gender History in Practice by 
Well-Behaved Women Seldom Make History by 
Women in the Ancient World by 
A Vindication of the Rights of Woman by 
Vanguard by 
The Legacy of Ruth Bader Ginsburg by 
I Am Malala by 
The Art of History by 
The Spectacular Modern Woman by 
Hidden Figures by 
Pride and Prejudice Jane Austin by 
Freedom Narratives of African American Women by 
Zora Neale Hurston's Their Eyes Were Watching God by 
The Complete Collected Poems of Maya Angelou by 
Sister Outsider by 
Interpreter of Maladies by 
Sula by 
Beloved by 
The Lost Landscape by 
Athena Unbound by 
Women of Science by 
The Madame Curie Complex by Hidden Figures by 
The Glass Universe by 
Voices from Chernobyl by 
Princess of the Hither Isles by 
Covering the history and contributions of black women intellectuals from the late 19th century to the present, this book highlights individuals who are often overlooked in the study of the American intellectual tradition. * Represents a standout volume on the subject of black women intellectuals in modern U.S. history that covers figures from the late 19th century to the present * Includes well-known individuals, such as Ida B. Wells and Toni Morrison, as well as lesser-known black women intellectuals, such as Wanda Coleman * Provides contributions from various experts in the field
"This important study is the first to confront head-on the avoidance of the visual that has plagued black studies in the United States. The Art of History opens the often hermetic world of black visual culture to a much broader realm in which questions central to contemporary feminism, black studies, and cultural theory are brought to bear."--Judith Wilson, University of California, Irvine "The Art of History is an important book that expands the significance of visual culture to African American studies debates. It provides cogent and insightful explorations of the work of contemporary African American women artists. Scholars and general readers alike are sure to be compelled by this original and innovative study."--Valerie Smith, author of Not Just Race, Not Just Gender: Black Feminist Readings In this lively and engaging book, Lisa Gail Collins examines the work of contemporary African American women artists. Her study comes at a time when an unprecedented number of these artists--photographers, filmmakers, painters, installation and mixed-media artists--have garnered the attention and imagination of the art-viewing public. To better understand the significance of this particular historical moment in American visual arts, Collins focuses on four "problems" that recur when these artists confront their histories: the documentation of truth; the status of the black female body; the relationship between art and cultural contact and change; and the relationship between art and black girlhood. By examining the social and cultural histories which African American women artists engage, Collins illuminates a dialogue between past and present imagemakers. The Art of History is a major contribution to the study of American visual culture. It will be of use to both scholars and students in art history, African American studies, American studies, and women's studies.
Winner of the John Boswell Prize from the American Historical Association 2018 Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018 Winner of an American Library Association Stonewall Honor 2018 Winner of Lambda Literary Award for Transgender Nonfiction 2018 Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies The story of Christine Jorgensen, America's first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives--ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence. Drawing on a deep and varied archive of materials--early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films--Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the "father of American gynecology," to the negation of blackness that makes transnormativity possible. Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of "cross dressing" and canonical black literary works that express black men's access to the "female within," Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don't Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.
Stories of liberation from enslavement or oppression have become central to African American women's literature. Beginning with a discussion of black women freedom narratives as a literary genre, the author argues that these texts represent a discourse on civil rights that emerged earlier than the ideas of racial uplift that culminated in the late 19th and early 20th centuries. An examination of the collective free identity of black women and their relationships to the community focuses on education, individual progress, marriage and family, labor, intellectual commitments and community rebuilding projects.
In this epic, beautifully written masterwork, Pulitzer Prize-winning author Isabel Wilkerson chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America.
#1 NEW YORK TIMES BESTSELLER * OPRAH'S BOOK CLUB PICK * NATIONAL BOOK AWARD LONGLIST * "An instant American classic and almost certainly the keynote nonfiction book of the American century thus far."--Dwight Garner, The New York Times The Pulitzer Prize-winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions. NAMED THE #1 NONFICTION BOOK OF THE YEAR BY TIME, ONE OF THE TEN BEST BOOKS OF THE YEAR BY People * The Washington Post * Publishers Weekly AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review * O: The Oprah Magazine * NPR * Bloomberg * Christian Science Monitor * New York Post * The New York Public Library * Fortune * Smithsonian Magazine * Marie Claire * Town & Country * Slate * Library Journal * Kirkus Reviews * LibraryReads * PopMatters Winner of the Los Angeles Times Book Prize * National Book Critics Circle Award Finalist * Dayton Literary Peace Prize Finalist * PEN/John Kenneth Galbraith Award for Nonfiction Finalist * PEN/Jean Stein Book Award Longlist "As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power--which groups have it and which do not." In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings. Beyond race, class, or other factors, there is a powerful caste system that influences people's lives and behavior and the nation's fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people--including Martin Luther King, Jr., baseball's Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others--she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity. Beautifully written, original, and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today.
Toni Morrison's first novel,The Bluest Eye(1970), was acclaimed as the work of an important talent, written--as John Leonard said inThe New York Times--in a prose "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry." Sulahas the same power, the same beauty. At its center--a friendship between two women, a friendship whose intensity first sustains, then injures. Sula and Nel--both black, both smart, both poor, raised in a small Ohio town--meet when they are twelve, wishbone thin and dreaming of princes. Through their girlhood years they share everything--perceptions, judgments, yearnings, secrets, even crime--until Sula gets out, out of the Bottom, the hilltop neighborhood where beneath the sporting life of the men hanging around the place in headrags and soft felt hats there hides a fierce resentment at failed crops, lost jobs, thieving insurance men, bug-ridden flour...at the invisible line that cannot be overstepped. Sula leaps it and roams the cities of America for ten years. Then she returns to the town, to her friend. But Nel is a wife now, settled with her man and her three children. She belongs. She accommodates to the Bottom, where you avoid the hand of God by getting in it, by stayingupright,helping out at church suppers, asking after folks--where you deal with evil by surviving it. Not Sula. As willing to feel pain as to give pain, she can never accommodate. Nel can't understand her any more, and the others never did. Sula scares them. Mention her now, and they recall that she put her grandma in an old folks' home (the old lady who let a train take her leg for the insurance)...that a child drowned in the river years ago...that there was a plague of robins when she first returned... In clear, dark, resonant language, Toni Morrison brilliantly evokes not only a bond between two lives, but the harsh, loveless, ultimately mad world in which that bond is destroyed, the world of the Bottom and its people, through forty years, up to the time of their bewildered realization that even more than they feared Sula, their pariah, they needed her.
The #1 New York Times bestseller -WINNER OF ANISFIELD-WOLF AWARD FOR NONFICTION -WINNER BLACK CAUCUS OF AMERICAN LIBRARY ASSOCIATION BEST NONFICTION BOOK -WINNER NAACP IMAGE AWARD BEST NONFICTION BOOK -WINNER NATIONAL ACADEMIES OF SCIENCES, ENGINEERING AND MEDICINE COMMUNICATION AWARD The phenomenal true story of the black female mathematicians at NASA at the leading edge of the feminist and civil rights movement, whose calculations helped fuel some of America's greatest achievements in space--a powerful, revelatory contribution that is as essential to our understanding of race, discrimination, and achievement in modern America as Between the World and Me and The Immortal Life of Henrietta Lacks. The basis for the smash Academy Award-nominated film starring Taraji P. Henson, Octavia Spencer, Janelle Monae, Kirsten Dunst, and Kevin Costner. Before John Glenn orbited the earth, or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as "human computers" used pencils, slide rules and adding machines to calculate the numbers that would launch rockets, and astronauts, into space. Among these problem-solvers were a group of exceptionally talented African American women, some of the brightest minds of their generation. Originally relegated to teaching math in the South's segregated public schools, they were called into service during the labor shortages of World War II, when America's aeronautics industry was in dire need of anyone who had the right stuff. Suddenly, these overlooked math whizzes had a shot at jobs worthy of their skills, and they answered Uncle Sam's call, moving to Hampton, Virginia and the fascinating, high-energy world of the Langley Memorial Aeronautical Laboratory. Even as Virginia's Jim Crow laws required them to be segregated from their white counterparts, the women of Langley's all-black "West Computing" group helped America achieve one of the things it desired most: a decisive victory over the Soviet Union in the Cold War, and complete domination of the heavens. Starting in World War II and moving through to the Cold War, the Civil Rights Movement and the Space Race, Hidden Figures follows the interwoven accounts of Dorothy Vaughan, Mary Jackson, Katherine Johnson and Christine Darden, four African American women who participated in some of NASA's greatest successes. It chronicles their careers over nearly three decades they faced challenges, forged alliances and used their intellect to change their own lives, and their country's future.
The Second Great Migration, the movement of African Americans between the South and the North that began in the early 1940s and tapered off in the late 1960s, transformed America. This migration of approximately five million people helped improve the financial prospects of black Americans, who, in the next generation, moved increasingly into the middle class. Over seven years, Lisa Krissoff Boehm gathered oral histories with women migrants and their children, two groups largely overlooked in the story of this event. She also utilized existing oral histories with migrants and southerners in leading archives. In extended excerpts from the oral histories, and in thoughtful scholarly analysis of the voices, this book offers a unique window into African American women's history. These rich oral histories reveal much that is surprising. Although the Jim Crow South presented persistent dangers, the women retained warm memories of southern childhoods. Notwithstanding the burgeoning war industry, most women found themselves left out of industrial work. The North offered its own institutionalized racism; the region was not the promised land. Additionally, these African American women juggled work and family long before such battles became a staple of mainstream discussion. In the face of challenges, the women who share their tales here crafted lives of great meaning from the limited options available, making a way out of no way.
This enlarged edition of the most significant and celebrated slave narrative now completes the Jacobs family saga, surely one of the most memorable in all of American history. John Jacobs's short slave narrative, A True Tale of Slavery, published in London in 1861, adds a brother's perspective to Harriet Jacobs's own autobiography. It is an exciting addition to this now classic work, as John Jacobs presents additional historical information about family life so well described already by his sister. Importantly, it presents the people, places, and events Harriet Jacobs wrote about from the different perspective of a male narrator. Once more, Jean Yellin, who discovered this long-lost document, supplies annotation and authentication. She has also brought her Introduction up to date.
Cracked But Not Shattered: Hillary Rodham Clinton's Unsuccessful Campaign for the Presidency thoroughly analyzes Hillary Clinton's 2008 campaign for the Democratic Party's presidential nomination with an eye to identifying what went wrong--why, as the frontrunner, she ended up not breaking "the glass ceiling." The volume's contributors examine multiple issues in attempt to answer this question, from usual campaign communication topics such as Clinton's rhetoric, debate performance, and advertising to the ways in which she was treated by the media. Although her communication was flawed and the media coverage of her did reflect biases, these essays demonstrate how Clinton's campaign was in trouble from the start because of her gender, status as a former First Lady, and being half of a political couple. Cracked But Not Shattered provides keen insight into the historic 2008 democratic primaries that will particularly intrigue scholars and students of political communications.
Women of Science is a collection of essays dealing with contributions women have made to various scientific disciplines, written by women scientists in those disciplines. The areas covered are: astronomy, archaeology, biology, chemistry, crystallography, engineering, geology, mathematics, medicine, and physics. The women who have written these essays are, for the most part, not professional historians, but rather scientific professionals who felt the necessity of researching the contributions women have made to the devlopment of their fields. The essays are unique, not only because they recover lost women who made significant contributions to their disciplines, but also because they are written with a depth of understanding that only a scientist working in a specific area can have. The essays will be of interest not only to students (especially women students) of science who may be unaware of the many contributions women have made, but also to readers of the history of science whoses texts more often than not fail to include the work of most women scientists.
Why are there so few women scientists? Persisting differences between women's and men's experiences in science make this question as relevant today as it ever was. This book sets out to answer this question, and to propose solutions for the future. Based on extensive research, it emphasizes that science is an intensely social activity. Despite the scientific ethos of universalism and inclusion, scientists and their institutions are not immune to the prejudices of society as a whole. By presenting women's experiences at all key career stages - from childhood to retirement - the authors reveal the hidden barriers, subtle exclusions and unwritten rules of the scientific workplace, and the effects, both professional and personal, that these have on the female scientist. This important book should be read by all scientists - both male and female - and sociologists, as well as women thinking of embarking on a scientific career.
From #1 New York Times bestselling author Dava Sobel, the "inspiring" (People), little-known true story of women's landmark contributions to astronomy A New York Times Book Review Notable Book Named one of the best books of the year by NPR, The Economist, Smithsonian, Nature, and NPR's Science Friday Nominated for the PEN/E.O. Wilson Literary Science Writing Award "A joy to read." --The Wall Street Journal In the mid-nineteenth century, the Harvard College Observatory began employing women as calculators, or "human computers," to interpret the observations their male counterparts made via telescope each night. At the outset this group included the wives, sisters, and daughters of the resident astronomers, but soon the female corps included graduates of the new women's colleges--Vassar, Wellesley, and Smith. As photography transformed the practice of astronomy, the ladies turned from computation to studying the stars captured nightly on glass photographic plates. The "glass universe" of half a million plates that Harvard amassed over the ensuing decades--through the generous support of Mrs. Anna Palmer Draper, the widow of a pioneer in stellar photography--enabled the women to make extraordinary discoveries that attracted worldwide acclaim. They helped discern what stars were made of, divided the stars into meaningful categories for further research, and found a way to measure distances across space by starlight. Their ranks included Williamina Fleming, a Scottish woman originally hired as a maid who went on to identify ten novae and more than three hundred variable stars; Annie Jump Cannon, who designed a stellar classification system that was adopted by astronomers the world over and is still in use; and Dr. Cecilia Helena Payne, who in 1956 became the first ever woman professor of astronomy at Harvard--and Harvard's first female department chair. Elegantly written and enriched by excerpts from letters, diaries, and memoirs, The Glass Universe is the hidden history of the women whose contributions to the burgeoning field of astronomy forever changed our understanding of the stars and our place in the universe.
nbsp;nbsp;nbsp;From admired historian--and coiner of one of feminism's most popular slogans--Laurel Thatcher Ulrich comes an exploration of what it means for women to make history. nbsp;nbsp;nbsp;In 1976, in an obscure scholarly article, Ulrich wrote, "Well behaved women seldom make history."nbsp; Today these words appear on t-shirts, mugs, bumper stickers, greeting cards, and all sorts of Web sites and blogs.nbsp; Ulrich explains how that happened and what it means by looking back at women of the past who challenged the way history was written.nbsp; She ranges from the fifteenth-century writer Christine de Pizan, who wrote The Book of the City of Ladies, to the twentieth century's Virginia Woolf, author of A Room of One's Own.nbsp; Ulrich updates their attempts to reimagine female possibilities and looks at the women who didn't try to make history but did.nbsp; And she concludes by showing how the 1970s activists who created "second-wave feminism" also created a renaissance in the study of history.
The most inclusive book to date on U.S. women's collective history! A landmark work, The Reader's Companion to U.S. Women's History, gathers together more than 400 articles to offer a diverse, rich, and often neglected panorama of the nation's past. Written by more than 300 contributors, drawn from various areas of expertise, these narrative and interpretive entries "effectively cover five centuries of women's experiences" (Bloomsbury Review). Here are articles on cowgirls and child care, on the daily lives of single women and the changing notions of motherhood, on the artistic contributions of women of color and the history of Jewish feminism. Wide-ranging in scope and wonderfully accessible, this unique resource reexamines with fresh clarity and brio the issues and concerns that color the lives of all women. Articles and their contributors include: African American Women, Darlene Clark Hine; Cult of Domesticity, Carroll Smith-Rosenberg; Fashion and Style, Lynn Yaeger; Jazz and Blues, Daphne Duval Harrison; Lesbians, Elizabeth Lapovsky Kennedy; Native American Cultures, Clara Sue Kidwell; Picture Brides, Judy Yung; Salem Witchcraft Trials, Mary Beth Norton; Vietnam Era, Sara M. Evans.
Discovered in the attic in which she spent the last years of her life, Anne Frank's remarkable diary has since become a world classic--a powerful reminder of the horrors of war and an eloquent testament to the human spirit. In 1942, with Nazis occupying Holland, a thirteen-year-old Jewish girl and her family fled their home in Amsterdam and went into hiding. For the next two years, until their whereabouts were betrayed to the Gestapo, they and another family lived cloistered in the "Secret Annex" of an old office building. Cut off from the outside world, they faced hunger, boredom, the constant cruelties of living in confined quarters, and the ever-present threat of discovery and death. In her diary Anne Frank recorded vivid impressions of her experiences during this period. By turns thoughtful, moving, and amusing, her account offers a fascinating commentary on human courage and frailty and a compelling self-portrait of a sensitive and spirited young woman whose promise was tragically cut short. Praise for The Diary of a Young Girl "A truly remarkable book."--The New York Times "One of the most moving personal documents to come out of World War II."--The Philadelphia Inquirer "There may be no better way to commemorate the fiftieth anniversary of the end of World War II than to reread The Diary of a Young Girl, a testament to an indestructible nobility of spirit in the face of pure evil."--Chicago Tribune "The single most compelling personal account of the Holocaust . . . remains astonishing and excruciating."--The New York Times Book Review "How brilliantly Anne Frank captures the self-conscious alienation and naïve self-absorption of adolescence."--Newsday
The historian and author of Lillian Gilbreth examines the "Great Man" myth of science with profiles of women scientists from Marie Curie to Jane Goodall. Why is science still considered to be predominantly male profession? In The Madame Curie Complex, Julie Des Jardin dismantles the myth of the lone male genius, reframing the history of science with revelations about women's substantial contributions to the field. She explores the lives of some of the most famous female scientists, including Jane Goodall, the eminent primatologist; Rosalind Franklin, the chemist whose work anticipated the discovery of DNA's structure; Rosalyn Yalow, the Nobel Prize-winning physicist; and, of course, Marie Curie, the Nobel Prize-winning pioneer whose towering, mythical status has both empowered and stigmatized future generations of women considering a life in science. With lively anecdotes and vivid detail, The Madame Curie Complex reveals how women scientists have changed the course of science--and the role of the scientist--throughout the twentieth century. They often asked different questions, used different methods, and came up with different, groundbreaking explanations for phenomena in the natural world.
Ruth Bader Ginsburg is a legal icon. In more than four decades as a lawyer, professor, appellate judge, and associate justice of the US Supreme Court, Ginsburg has influenced the law and society in real and permanent ways. This book chronicles and evaluates the remarkable achievements Ruth Bader Ginsburg has made over the past half century. Including chapters written by prominent court watchers and leading scholars from law, political science, and history, it offers diverse perspectives on an array of doctrinal areas and on different time periods in Ginsburg's career. Together, these perspectives document the impressive legacy of one of the most important figures in modern law.
This book explores the mental and literary awakening that many working-class women in the United States experienced when they left the home and began to work in factories early in the nineteenth century. Cook also examines many of the literary productions from this group of women ranging fromtheir first New England magazine of belles lettres, The Lowell Offering, to Emma Goldman's periodical, Mother Earth; from Lucy Larcom's epic poem of women factory workers, An Idyl of Work, to Theresa Malkiel's fictional account of sweatshop workers in New York, The Diary of a Shirtwaist Striker.Working women's avid interests in books and writing evolved in the context of an American romanticism that encouraged ideals of self-reliance that were not formulated with factory girls in mind. Their efforts to pursue a life of the mind while engaged in arduous bodily labor also coincided withthe emergence of middle-class women writers from private and domestic lives into the literary marketplace. However, while middle-class women risked forfeiting their status as ladies by trying to earn money by becoming writers, factory women were accused of selling out their class credentials bytrying to be literary.Cook traces the romantic literariness of several generations of working-class women in their own writing and the broader literary responses of those who shared some, though by no means all, of their interests. The most significant literary interaction, however, is with middle-class women writers.Some of these, like Margaret Fuller, envisioned ideals of female self-development that inspired, without always including, working women. Others, like novelists Davis, Phelps, Alcott, and Scudder, created compassionate fictions of their economic and social inequities but balked at promoting theirartistic and intellectual equality.
Mary Joy Breton provides absorbing sketches of over forty women activists in the Americas, Eastern and Western Europe, Africa, and Asia, recounting the special ways in which each stepped out of her traditional role and dedicated her life to saving the planet.
With a new Introduction from the author for the twentieth anniversary Winner of the Pulitzer Prize for fiction, this stunning debut collection unerring charts the emotional journeys of characters seeking love beyond the barriers of nations and generations. In stories that travel from India to America and back again, Lahiri speaks with universal eloquence to everyone who has ever felt like a foreigner.
Drawing on both her roots in Kentucky and her adventures with Manhattan Coop boards, Where We Stand is a successful black woman's reflection--personal, straight forward, and rigorously honest--on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them.
Written with the raw honesty and poignant insight that were the hallmarks of her acclaimed bestseller A Widow's Story, an affecting and observant memoir of growing up from one of our finest and most beloved literary masters. The Lost Landscape is Joyce Carol Oates' vivid chronicle of her hardscrabble childhood in rural western New York State. From memories of her relatives, to those of a charming bond with a special red hen on her family farm; from her first friendships to her earliest experiences with death, The Lost Landscape is a powerful evocation of the romance of childhood, and its indelible influence on the woman and the writer she would become. In this exceptionally candid, moving, and richly reflective account, Oates explores the world through the eyes of her younger self, an imaginative girl eager to tell stories about the world and the people she meets. While reading Alice in Wonderland changed a young Joyce forever and inspired her to view life as a series of endless adventures, growing up on a farm taught her harsh lessons about sacrifice, hard work, and loss. With searing detail and an acutely perceptive eye, Oates renders her memories and emotions with exquisite precision, transporting us to a forgotten place and time--the lost landscape of her youth, reminding us of the forgotten landscapes of our own earliest lives.
For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.
Throughout her prodigious life, activist and lawyer Pauli Murray systematically fought against all arbitrary distinctions in society, channeling her outrage at the discrimination she faced to make America a more democratic country. In this definitive biography, Rosalind Rosenberg offers a poignant portrait of a figure who played pivotal roles in both the modern civil rights and women's movements. A mixed-race orphan, Murray grew up in segregated North Carolina before escaping to New York, where she attended Hunter College and became a labor activist in the 1930s. When she applied to graduate school at the University of North Carolina, where her white great-great-grandfather had been a trustee, she was rejected because of her race. She went on to graduate first in her class at Howard Law School, only to be rejected for graduate study again at Harvard University this time on account of her sex. Undaunted, Murray forged a singular career in the law. In the 1950s, her legal scholarship helped Thurgood Marshall challenge segregation head-on in the landmark Brown v. Board of Education case. When appointed by Eleanor Roosevelt to the President's Commission on the Status of Women in 1962, she advanced the idea of Jane Crow, arguing that the same reasons used to condemn race discrimination could be used to battle gender discrimination. In 1965, she became the first African American to earn a JSD from Yale Law School and the following year persuaded Betty Friedan to found an NAACP for women, which became NOW. In the early 1970s, Murray provided Ruth Bader Ginsburg with the argument Ginsburg used to persuade the Supreme Court that the Fourteenth Amendment to the Constitution protects not only blacks but also women - and potentially other minority groups - from discrimination. By that time, Murray was a tenured history professor at Brandeis, a position she left to become the first black woman ordained a priest by the Episcopal Church in 1976. Murray accomplished all this while struggling with issues of identity. She believed from childhood she was male and tried unsuccessfully to persuade doctors to give her testosterone. While she would today be identified as transgender, during her lifetime no social movement existed to support this identity. She ultimately used her private feelings of being "in-between" to publicly contend that identities are not fixed, an idea that has powered campaigns for equal rights in the United States for the past half-century.
Once in a decade comes anaccount of war that promises to be aclassic. Doing for Syria what Imperial Life in the Emerald City did for the war in Iraq, The Morning They Came for Us bears witness to one of the most brutal, internecine conflicts in recent history. Drawing from years of experience covering Syria for Vanity Fair, Newsweek, and the front pages of the New York Times, award-winning journalist Janine di Giovanni gives us a tour de force of war reportage, all told through the perspective of ordinary people--among them a doctor, a nun, a musician, and a student. What emerges is an extraordinary picture of the devastating human consequences of armed conflict, one that charts an apocalyptic but at times tender story of life in a jihadist war zone. Recalling celebrated works by Ryszard Kapus´cin´ski, Philip Gourevitch, and Anne Applebaum, The Morning They Came for Us, through its unflinching account of a nation on the brink of disintegration, becomes an unforgettable testament to resilience in the face of nihilistic human debasement.
Winner of the Nobel Prize in Literature Winner of the National Book Critics Circle Award A journalist by trade, who now suffers from an immune deficiency developed while researching this book, presents personal accounts of what happened to the people of Belarus after the nuclear reactor accident in 1986, and the fear, anger, and uncertainty that they still live with. The Nobel Prize in Literature 2015 was awarded to Svetlana Alexievich "for her polyphonic writings, a monument to suffering and courage in our time."
Critics have suggested that Zora Neale Hurston s Their Eyes Were Watching God has helped revise a male-dominated literary canon. All-new critical essays touch on subjects such as sight and vision, speech and dialect, and the ways the novel subverts traditional power structures, and more.
A New York Times, USA Today, Wall Street Journal, and Amazon Charts Bestseller! For fans of Hidden Figures, comes the incredible true story of the women heroes who were exposed to radium in factories across the U.S. in the early 20th century, and their brave and groundbreaking battle to strengthen workers' rights, even as the fatal poison claimed their own lives... In the dark years of the First World War, radium makes gleaming headlines across the nation as the fresh face of beauty, and wonder drug of the medical community. From body lotion to tonic water, the popular new element shines bright. Meanwhile, hundreds of girls toil amidst the glowing dust of the radium-dial factories. The glittering chemical covers their bodies from head to toe; they light up the night like industrious fireflies. With such a coveted job, these "shining girls" are the luckiest alive -- until they begin to fall mysteriously ill. And, until they begin to come forward. As the women start to speak out on the corruption, the factories that once offered golden opportunities ignore all claims of the gruesome side effects. And as the fatal poison of the radium takes hold, the brave shining girls find themselves embroiled in one of the biggest scandals of America's early 20th century, and in a groundbreaking battle for workers' rights that will echo for centuries to come. A timely story of corporate greed and the brave figures that stood up to fight for their lives, these women and their voices will shine for years to come. Written with a sparkling voice and breakneck pace, The Radium Girlsfully illuminates the inspiring young women exposed to the "wonder" substance of radium, and their awe-inspiring strength in the face of almost impossible circumstances. Their courage and tenacity led to life-changing regulations, research into nuclear bombing, and ultimately saved hundreds of thousands of lives...
In The Spectacular Modern Woman, Liz Conor illustrates how technological advances in image reproduction transformed Western industrial societies into visual or ""ocularcentric"" cultures with significant and complex consequences for women's lives. With the rise of mass media, photography, and movies, a woman's visibility became a mark of her modernity, and the result was at once liberating and confining, given the many narrow conceptions of what it meant to be a modern woman. Focusing on the city girl in the metropolitan scene, the ""Screen Struck Girl"" in the cinematic scene, the mannequin in the commodity scene, the beauty contestant in the photographic scene, the ""primitive"" woman in the late colonial scene, and the flapper in the heterosexual leisure scene, Conor shows how women's roles were intimately tied to the visual culture of the day.
Mexican Americans today are well established in our country, but it was an arduous century-long struggle--and the key participants in this effort have been the women. Whether living in a labor camp, a boxcar settlement, a mining town, or an urban barrio, Mexican women nurtured families, worked for wages, built extended networks (including fictional "uncles" and "aunts"), and participated in community associations--efforts which solidified the community and helped Mexican Americans find their own place in America. Now, in From Out of the Shadows, historian Vicki L. Ruiz provides the first full study of Mexican-American women in the 20th century, in a narrative that is greatly enhanced by Ruiz's skillful use of interviews and personal stories, capturing a vivid sense of the Mexicana experience in the United States. Ruiz begins with the first wave of Mexican women crossing the border from Mexico early in our century. She reveals that between 1910 and 1930, over one million Mexican men and women (perhaps as much as ten percent of Mexico's population) migrated "al otro lado," joining the hundreds of thousands of Mexican-Americans already living in the Southwest United States. We learn how the women would rise before dawn to prepare the masa for fresh tortillas, then work all day in the fields, then return to household chores in the evening, cooking, or laboring over a washboard and tub, late into the night. Ruiz illuminates attempts to Americanize the Mexicanas, especially by Protestant groups, whose efforts by and large failed; the women instead relied on their own community groups--mutualistas (mutual aid societies), parish organizations, auxiliaries, and labor unions--to help them assimilate. We also read about the tensions that arose between generations, as the parents tried to rein in young daughters eager to adopt American ways--forbidding the use of makeup and insisting that teenage girls attend a dance, a movie, or even a church function with a chaperone, usually their mothers. Perhaps most important, the book highlights the various forms of political protest initiated by Mexican-American women, including civil rights activity and protests against the war in Vietnam. Here is a dramatic story of how and where political protest developed, and of the groups Mexicanas formed to channel their voice. And in particular, it is the story of how these protest groups developed bonds of social cohesion that strengthened their community and helped them find their own public space and a role for themselves in America. What emerges from the book finally is a portrait of a very distinctive culture in America, one that has slowly gathered strength in the last 95 years. From Out of the Shadows is an important addition to the largely undocumented history of Mexican-American women in our century.
The eight essays collected in this volume examine the practice of gender history and its impact on our understanding of European history. Each essay takes up a major methodological or theoretical issue in feminist history and illustrates the necessity of critiquing and redefining the concepts of body, citizenship, class, and experience through historical case studies. Kathleen Canning opens the book with a new overview of the state of the art in European gender history. She considers how gender history has revised the master narratives in some fields within modern European history (such as the French Revolution) but has had a lesser impact in others (Weimar and Nazi Germany).Gender History in Practice includes two essays now regarded as classics?"Feminist History after the 'Linguistic Turn'" and "The Body as Method"--as well as new chapters on experience, citizenship, and subjectivity. Other essays in the book draw on Canning's work at the intersection of labor history, the history of the welfare state, and the history of the body, showing how the gendered "social body" was shaped in Imperial Germany. The book concludes with a pair of essays on the concepts of class and citizenship in German history, offering critical perspectives on feminist understandings of citizenship. Featuring an extensive thematic bibliography of influential works in gender history and theory that will prove invaluable to students and scholars, Gender History in Practice offers new insights into the history of Germany and Central Europe as well as a timely assessment of gender history's accomplishments and challenges.
An archival research resource comprising the full backfiles of leading womens interest consumer magazines. Titles are scanned from cover to cover in high-resolution color and feature detailed article-level indexing. Coverage ranges from the late-19th century through to 2005 .
GenderWatch News central to women's daily lives, including family, childbirth, childcare, sexual harassment, aging, body image, eating disorders and social roles.
