LGBTQIA+

A groundbreaking work that turns a "queer eye" on the criminal legal system, and winner of the2011 PASS (Prevention for a Safer Society) Award from the National Council on Crime and Delinquency Drawing on years of research, activism, and legal advocacy, Queer (In)Justice is a searing examination of queer experiences--as "suspects," defendants, prisoners, and survivors of crime. The authors unpack queer criminal archetypes--like "gleeful gay killers," "lethal lesbians," "disease spreaders," and "deceptive gender benders"--to illustrate the punishment of queer expression, regardless of whether a crime was ever committed. Tracing stories from the streets to the bench to behind prison bars, the authors prove that the policing of sex and gender both bolsters and reinforces racial and gender inequalities. A groundbreaking work that turns a "queer eye" on the criminal legal system, Queer (In)Justice illuminates and challenges the many ways in which queer lives are criminalized, policed, and punished.

Drawing on the incredible wealth of diversity of languages, cultures and movements in which lesbian feminisms have been articulated, this book confronts the historic devaluation of lesbian-feminist politics within Anglo-American discourse and ignites a transnational and transgenerational discussion regarding the relevance of lesbian feminisms in today's world, a discussion that challenges the view of lesbian feminism as static and essentialist. Through careful consideration of contemporary debates, these writers, theorists, academics, and activists consider the wider place of lesbian feminisms within queer theory, post-colonial feminism, and the movement for LGBT rights. It considers how lesbian feminisms can contribute to discussions on intersectionality, engage with trans activism and the need for trans-inclusion, to ultimately show how lesbian feminisms can offer a transformative approach to today's sexual and gender politics.

From the creator of and inspired by the seminal documentary of the same name--an Oscar nominee--the definitive history of the successful battle to halt the AIDS epidemic, and the powerful, heroic stories of the gay activists who refused to die without a fight. Intimately reported, this is the story of the men and women who, watching their friends and lovers fall, ignored by public officials, religious leaders, and the nation at large, and confronted with shame and hatred, chose to fight for their right to live. We witness the founding of ACT UP and TAG (Treatment Action Group), the rise of an underground drug market in opposition to the prohibitively expensive (and sometimes toxic) AZT, and the gradual movement toward a lifesaving medical breakthrough. With his unparalleled access to this community David France illuminates the lives of extraordinary characters, including the closeted Wall Street trader-turned-activist; the high school dropout who found purpose battling pharmaceutical giants in New York; the South African physician who helped establish the first officially recognized buyers' club at the height of the epidemic; and the public relations executive fighting to save his own life for the sake of his young daughter. Expansive yet richly detailed, this is an insider's account of a pivotal moment in the history of American civil rights.

The in-depth, diverse, and accessible essays in Queer Game Studies use queerness to challenge the ideas that have dominated gaming discussions. This volume reveals the capacious albeit underappreciated communities that are making, playing, and studying queer games, demonstrating the centrality of LGBTQ issues to the gamer world and establishing an alternative lens for examining this increasingly important culture.

Lesbian, gay, bisexual, transgender, and queer (LGBTQ) youth are disproportionately represented in the U.S. youth homelessness population. In Coming Out to the Streets, Brandon Andrew Robinson examines their lives. Based on interviews and ethnographic fieldwork in central Texas, this book looks into the LGBTQ youth's lives before they experience homelessness—within their families, schools, and other institutions—and later when they navigate the streets, deal with police, and access shelters and other services. Through this documentation, Brandon Andrew Robinson shows how poverty and racial inequality shape the ways that the LGBTQ youth negotiate their gender and sexuality before and while they are experiencing homelessness. To address LGBTQ youth homelessness, Robinson contends that solutions must move beyond blaming families for rejecting their child. In highlighting the voices of the LGBTQ youth, Robinson calls for queer and trans liberation through systemic change.

Issues explored in this title include the role of non-traditional same-sex families, and expanded protections for transgender people under the framework of civil rights. As conservative governors sue the federal government and try to block what they call a “massive social experiment” in school bathrooms and locker rooms, and states deal with the attendant backlash, LGBTQ activists continue to force a national conversation on gender identity.

David is a young American expatriate who has just proposed marriage to his girlfriend, Hella. While she is away on a trip, David meets a bartender named Giovanni to whom he is drawn in spite of himself. Soon the two are spending the night in Giovanni's curtainless room, which he keeps dark to protect their privacy. But Hella's return to Paris brings the affair to a crisis, one that rapidly spirals into tragedy. Caught between his repressed desires and conventional morality, David struggles for self-knowledge during one long, dark night—"the night which is leading me to the most terrible morning of my life." With sharp, probing insight, Giovanni's Room tells an impassioned, deeply moving story that lays bare the unspoken complexities of the human heart.

In an isolated castle deep in the Austrian forest, Laura leads a solitary life with only her ailing father for company. Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest – the beautiful Carmilla. So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day… Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.

This edition includes a student-oriented introduction, tracing the major critical responses to Carmilla, and four interdisciplinary essays by leading scholars who analyze the story from various theoretical perspectives ranging from politics to gender, Gothicism to feminism, and nineteenth-century aestheticism to contemporary film studies.

This is a dreamlike story of a young man who sells his soul for eternal youth and beauty while a painting of him ages and grows increasingly hideous with the years.

More than 120 years after Oscar Wilde—a queer man in the 19th century—submitted "The Picture of Dorian Gray" for publication in Lippincott's Monthly Magazine, the uncensored version of his novel appears here for the first time in a paperback edition. This volume restores all of the material removed by the novel's first editor.

Upon receipt of the typescript, Wilde's editor panicked at what he saw. Contained within its pages was material he feared readers would find "offensive"—especially instances of homosexual content. He proceeded to go through the typescript with his pencil, cleaning it up until he made it "acceptable to the most fastidious taste." Wilde did not see these changes until his novel appeared in print. Wilde's editor's concern was well placed. Even in its redacted form, the novel caused public outcry. The British press condemned it as "vulgar," "unclean," "poisonous," "discreditable," and "a sham." When Wilde later enlarged the novel for publication in book form, he responded to his critics by further toning down its "immoral" elements.

A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books.

Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic—and redemptive.